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ABOUT MAYDA

 

Poet and performer Mayda Del Valle has been described by the Chicago Sun Times as having “a way with words. Sometimes they seem to flutter and roll off her lips. Other times they burst forth like a comet streaking across a nighttime sky.”

 

A proud native of Chicago’s South Side, Mayda got her start at New York City's legendary Nuyorican Poet's Cafe, where she was the 2001 Grand Slam Champion and went on to win the 2001 National Poetry Slam Individual title, becoming the youngest and first Latina poet to do so. She went on to appear on 6 episodes of Russell Simmons Def Poetry Jam on HBO, and was a contributing writer and original cast member of the Tony Award winning Def Poetry Jam on Broadway.

 

She has been featured in Latina Magazine, The Source, The New York Times and was named by Smithsonian Magazine as one of America’s Young Innovators in the Arts and Sciences. Oprah’s “O” Magazine selected her as one of 20 women for their first ever “O Power List”, a group of visionary women making a mark in business, politics, and the arts. In May of 2009 she was invited to perform at the White House for President Obama and the First Lady.

 

Since 2011 Mayda has been a teaching artist with the poetry-based non-profit youth organization Street Poets, faciliatating workshops around the LA area in highschools and probation camps.  She is also a dancer and vocalist with the Los Angeles based Afro-Puerto Rican bomba group Atabey, and is currently pursuing an MFA in Creative Writing at California Institute of The Arts.

 

ARTIST STATEMENT

 

As the child of Puerto Rican migrants who grew up on the South Side of Chicago, my work originates in the embodiment of what I consider to be a hybrid identity and experience. It is part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented.

 

I create autobiographical narratives that utilize spoken-word poetry and music, intended for live performance. Rooted in the aesthetics of hip-hop and the urban Latino experience, my work explores themes of healing, transformation and the recovery of ancestral memory in the modern day diaspora. I seek to challenge traditional western approaches to performance by creating a communal participatory space where audiences are invited to journey into their own cultural narratives and mythologies. 

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